As artefacts, the worlds of digital games are designed and developed to fulfil certain expressive, functional, and experiential objectives. During play, players infer these purposes and aspirations from various aspects of their engagement with the gameworld. Influenced by their sociocultural backgrounds, sensitivities, gameplay preferences, and familiarity with game conventions, players construct a subjective interpretation of the intentions with which they believe the digital game in question was created. By analogy with the narratological notion of the implied author, we call the (...) figure to which players ascribe these intentions ‘the implied designer’. In this article, we introduce the notion of the implied designer and present an initial account of how appreciators ascribe meaning to interactive, fictional gameworlds and act within them based on what they perceive to be the designer’s intentions. (shrink)

Drawing from narratology and design studies, this article makes use of the notions of the ‘implied designer’ and ‘ludic unreliability’ to understand deceptive game design as a specific sub-set of transgressive game design. More specifically, in this text we present deceptive game design as the deliberate attempt to misguide players’ inferences about the designers’ intentions. Furthermore, we argue that deceptive design should not merely be taken as a set of design choices aimed at misleading players in their efforts to understand (...) the game, but also as decisions devised to give rise to experiential and emotional effects that are in the interest of players. Finally, we propose to introduce a distinction between two varieties of deceptive design approaches based on whether they operate in an overt or a covert fashion in relation to player experience. Our analysis casts light on expressive possibilities that are not customarily part of the dominant paradigm of user-centered design, and can inform game designers in their pursuit of wider and more nuanced creative aspirations. (shrink)

Kant's Notion of "Transcendental Truth". [English] The aim of this work is to elucidate the notion of “transcendental truth” and to show its role in the Kantian system. I will argue that this notion is in line with the traditional definition of truth, i.e., that it consists in the correspondence between knowledge and object. I will also argue that criteria of transcendental truth are provided by transcendental logic, and that it is this notion of truth what makes it possible to (...) establish the truth of a priori knowledge and delimitate the field of empirical truth. [Español] El objetivo de este trabajo es dilucidar la noción de “verdad trascendental” y mostrar su lugar en el sistema kantiano. Se defenderá que la verdad trascendental consiste, en línea con la definición tradicional de verdad, en un sentido de correspondencia entre conocimiento y objeto, que la lógica trascendental establece criterios de verdad trascendental, y que es esta noción de verdad la que permite establecer la verdad del conocimiento a priori y delimitar el territorio de la verdad empírica. (shrink)

Within dramatherapy and psychodrama, the term ‘de-roling’ indicates a set of activities that assist the subjects of therapy in ‘disrobing’ themselves from their fictional characters. Starting from the psychological needs and the therapeutic goals that ‘de-roling’ techniques address in dramatherapy and psychodrama, this text provides a broader understanding of procedures and exercises that define and ease transitional experiences across cultural practices such as religious rituals and spatial design. After this introductory section, we propose a tentative answer as to why game (...) studies and virtual world research largely ignored processes of ‘roling’ and ‘de-roling’ that separate the lived experience of role-play from our everyday sense of the self. The concluding sections argue that de-roling techniques are likely to become more relevant, both academically and in terms of their practical applications, with the growing diffusion of virtual technologies in social practices. The relationships we can establish with ourselves and with our surroundings in digital virtual worlds are, we argue, only partially comparable with similar occurrences in pre-digital practices of subjectification. We propose a perspective according to which the accessibility and immersive phenomenological richness of virtual reality technologies are likely to exacerbate the potentially dissociative effects of virtual reality applications. This text constitutes an initial step towards framing specific socio-technical concerns and starting a timely conversation that binds together dramatherapy, psychodrama, game studies, and the design of digital virtual worlds. (shrink)

The Question of Truth in Kant’s Transcendental Logic [English] In the third section of the “Introduction” to transcendental logic, Kant dedicates a couple of paragraphs to the subject of truth (KrV B82-83). Based on this passage, Kant’s com¬mentators have justified various and sometimes contradictory interpretations of the Kantian notion of truth. However, few have analyzed the passage in its own context, that is, as part of the strategy to introduce the idea of transcendental logic. In this work, I intend to (...) take a position in this regard. I will try to show that this passage does not subscribe to the distinction between general and transcendental logic, but between analytic and dialectic logic. [Español] En la tercera sección de la “Introducción” a la lógica trascendental, Kant dedica un par de párrafos al tema de la verdad (KrV B82-83). Basándose en este pasaje, los comentaristas de Kant han justificado diversas y a veces contradictorias interpretaciones de la noción kantiana de verdad. Sin embargo, pocos han analizado el pasaje en su propio contexto, es decir, como parte de la estrategia para introducir la idea de una lógica trascendental. En este trabajo se pretende tomar postura a este respecto. Se intentará mostrar que este pasaje no abona a la distinción entre lógica general y lógica trascendental, sino entre analítica y dialéctica. (shrink)

Le argomentazioni presentate in questo volume costituiscono il primo contributo dell’autore al progettato compito di un’analisi e commento completi e puntuali dei principali testi filosofici di Giordano Bruno. Iniziando con il "De umbris idearum" e procedendo con le prime opere in latino, l’autore intende svelare le basi teoretiche della prima speculazione bruniana, destinate ad essere riprese, ampliate ed approfondite nei testi successivi, i "Dialoghi Italiani", così come, in una originale prospettiva atomistica, in quelli latini delle ultime fasi. Il "De umbris (...) idearum" costituisce in questa prospettiva il testo base della difficile e complessa speculazione bruniana: assolutamente lontano – come del resto indicato dalle esplicite affermazioni del filosofo di Nola – dall’impiego pragmatico e retorico della tradizionale arte della memoria, esso piuttosto costruisce progressivamente uno spazio di riflessione di natura ontologica, metafisica e teologica, con influssi sulle considerazioni razionali e naturali. In questo modo l’arte di memoria bruniana diventa la memoria di un arte filosofica civile, la necessità del ricordo di una possibilità del pensiero e della prassi incardinata sulla presenza di un plesso centrale creativo e dialettico, che progressivamente consente l’inserimento della principale innovazione escogitata dalla filosofia bruniana: il concetto dell’infinito. Direttamente tematizzato nei dialoghi in italiano, il concetto creativo e dialettico dell’infinito bruniano separa progressivamente l’autore nolano dalla tradizione neoplatonico-aristotelica, definendo in tal modo uno schema interpretativo della realtà diverso ed opposto rispetto a quello che – oltre l’apparente rivoluzionarietà della scienza moderna – ha innervato i principali sviluppi della civiltà occidentale moderna e contemporanea. (shrink)

The Role of the Notion of Truth in the Project of Kant’s Critical Philosophy [English] The discussion about Kant’s theory of truth usually revolves around his ascription to some version of the coherence or correspondence theory of truth, and the matching criteria of truth. These discussions often deliberate which theory of truth is most appropriate given the critical principles. Instead, this paper aims to exhibit, through the evolution of Kant’s notion of truth in his precritical years and through the project (...) of a transcendental logic, the intrinsic relation between the notion of truth and the very principles of critical philosophy; and to raise again the questions about the definition and the criteria of truth, but in the framework of the question of the possibility of truth. [Español] La discusión en torno a la teoría kantiana de la verdad suele girar alrededor de las preguntas —íntimamente relacionadas entre sí— por la adscripción de Kant a una versión coherentista o correspondentista de la verdad y por los correspondientes criterios de verdad. Estas discusiones suelen ponderar qué teoría de la verdad resulta más adecuada dados ya los principios críticos. En contraste con esto, este trabajo pretende mostrar, a través de la evolución de la noción de verdad del Kant precrítico y del proyecto de una lógica trascendental, la vinculación intrínseca de la noción de verdad con los principios mismos de la filosofía crítica, y replantear las preguntas por la definición y el criterio de verdad en el marco de la pregunta por la posibilidad de la verdad. (shrink)

The Dreams of a Spirit-Seer and the one reality in which we live [English] Traüme eines Geistersehers usually constitutes a problematic work for Kant’s scholars for its unusual style and for the apparent break with the problems that occupied him at the beginning of the 1760s. However, this work is to a large extent the natural outcome of those themes, especially of the search for an appropriate method for metaphysics. In this paper we are particularly interested in highlighting two ideas (...) that appear there: the conception of metaphysics as a study of limits and intersubjectivity. As we will see, the backdrop of these issues and the idea that gives cohesion to Traüme is the need to base our knowledge on a single world that we all inhabit, and to which we all have equal access. Swedenborg, who embodies the opposite idea of being a privileged inhabitant of two worlds, serves as a reason to compare his visions with the excesses of metaphysics, and the "dream worlds" that he constructs. [Español] El escrito Traüme eines Geistersehers suele constituir una obra problemática para los intérpretes de Kant por su inusual estilo y por el aparente rompimiento con los problemas que lo ocupaban a principios de 1760. Sin embargo, esta obra es en buena medida el desenlace natural de aquellos temas, en especial de la búsqueda de un método apropiado para la metafísica. En este trabajo nos interesa particularmente destacar dos ideas que ahí aparecen: la concepción de la metafísica como estudio de los límites y el tema de la intersubjetividad. Como veremos, el telón de fondo de estos temas y la idea que da cohesión en general a los Traüme es la necesidad de fundar nuestro conocimiento en un único mundo que todos habitamos, y al que todos tenemos acceso por igual. Swedenborg, que encarna la idea contraria al ser habitante privilegiado de dos mundos, sirve de motivo para comparar sus visiones con los excesos de la metafísica, y los “mundos soñados” que esta construye. (shrink)

Subjective judgments and judgments about subjects. A distinction regarding judgments of perception [English] It is well known the number of problems that arise from the distinction between "judgments of perception" and "judgments of experience" delivered in the Prolegomena. This article focuses on the impossibility of assigning truth value to judgments of perception since it seems counterintuitive to indicate that judgments such as "I am cold" or "sugar tastes sweet" cannot be true. To solve this difficulty, it is proposed here to (...) distinguish between true judgments of perception (true subjective judgments) and "judgments about subjects". The latter would be those that, despite referring in a certain sense to a subject, do so using categorical links and, therefore, are judgments of experience with claims of objective validity and with truth value. However, there is another reason for this distinction besides solving the difficulty posed. Above all, it is important to offer a key to understand the true nature of judgments of perception, showing the impossibility of understanding them as judgments that describe subjective mental states, and trying to distinguish the way in which we enunciate them from the merely subjective unit that, according to Kant, characterizes them. To carry out these objectives, we will first analyze the basis of the distinction between perception judgments and experience judgments; secondly, a distinction between subjective judgments and judgments about subjects is proposed and explained, while the role of truth in the empirical illusion is examined; and finally, we will underline the impossibility of formulating judgments (including those of perceptions) independently of any objective link. [Español] Es moneda común la diversidad de problemas que plantea la introducción de la distinción entre “juicios de percepción” y “juicios de experiencia” en los Prolegómenos. Este trabajo centra su atención en la imposibilidad de asignar valor de verdad a juicios de percepción —dada su carencia de pretensión de validez objetiva— pues parece contraintuitivo indicar que juicios como “tengo calor” o “el azúcar me sabe dulce” no pueden ser verdaderos. Para solucionar esta dificultad, se propone aquí distinguir entre los verdaderos juicios de percepción (verdaderos juicios subjetivos) y “juicios sobre sujetos”. Estos últimos serían aquellos que, a pesar de referirse en cierto sentido a un sujeto, lo hacen con enlaces categoriales y, por tanto, son en realidad juicios de experiencia con pretensión de validez objetiva y con valor de verdad. Sin embargo, a esta distinción subyace otro motivo además de solucionar la dificultad planteada. Interesa, sobre todo, ofrecer una clave para comprender la verdadera naturaleza de los juicios de percepción, mostrando la imposibilidad de entenderlos como juicios que describen estados mentales subjetivos, e intentando distinguir la forma en que los enunciamos de la unidad meramente subjetiva que, según Kant, los caracteriza. Para llevar a cabo estos objetivos se analiza, primero, el fundamento de la distinción entre juicios de percepción y juicios de experiencia; en segundo lugar, se propone y explica la distinción entre juicios subjetivos y juicios sobre sujetos, a la par que se examina el papel de la verdad en la ilusión empírica; y por último se subraya la imposibilidad de formular juicios (incluso de percepción) independientemente de cualquier enlace objetivo. (shrink)

On the few occasions that Kant addresses the subject of truth, he usually does so in relation to the problems involved in the nominal definition of truth and in the search for a truth criterion. The aim of this paper is to provide a synoptic view of the way in which Kant poses these two issues. In the first section of the paper I address the topic of the definition of truth. I begin by explaining what a definition is and (...) what does this entail for the definition of truth. I then present the consequences and problems that Kant draws from this. In the second section of the paper I develop the topic of the criterion of truth. First, I set out Kant's expectations for such criterion and show the limits he encounters. Then I provide a classification and an explanation of the truth criteria that he mentions throughout his work. -/- En las pocas ocasiones en que Kant aborda el tema de la verdad, lo suele hacer en función de los problemas implicados en la definición nominal de verdad y en la búsqueda de un criterio de verdad. El objetivo de este trabajo es ofrecer una visión sinóptica del modo en que Kant plantea estas dos cuestiones. En la primera sección del trabajo se aborda el tema de la definición de la verdad. Primero explico qué es una definición y qué implica esto para el caso de la verdad. Tras esto, expongo las consecuencias y problemas que Kant extrae al respecto. En la segunda sección del trabajo se desarrolla el tema del criterio de verdad. Para comenzar expongo las expectativas de Kant respecto de dicho criterio y los límites con que se encuentra. Tras esto ofrezco una clasificación y explicación de los criterios de verdad que menciona a lo largo de su obra. (shrink)

Aim of the paper is contributing to a context-informed understanding of Fichte’s theory of conscience. This crucial element in his moral philosophy (and, in fact, in his whole philosophy) represents the last of the many significant accounts of conscience in the 18th century, before in the following century the role of conscience in moral life was repeatedly put into question. Accordingly, in my paper I argue that: (1) Fichte puts forward an un-Kantian account of conscience, following, instead, a quite different (...) model; (2) Fichte’s views on conscience grew out of a complex conceptual milieu, from which Fichte borrows important (quasi-)sentimentalist elements; (3) Fichte’s idea of the infallibility of conscience must be distinguished from other similar views put forward in the same years. (shrink)

The wide dissemination of Aristotle’s philosophical works was encouraged not only by Averroes’s commentaries, but also by the many works of medieval and Renaissance commentators. In particular, Walter Burley commented on some of Aristotle’s works and also extracted what he considered to be the main philosophical problems discussed by Aristotle. The Conclusiones super Physicam are published here together with the Dubia et Rubrice from the 1524 edition of Burley’s commentary.

The 14 essays collected in this volume explore the various aspects of Augustine’s philosophy and its medieval reception: by considering his education and the development of his thought as conveyed by a series of philosophical images and styles, the volume reconstructs the recurring motifs of his intellectual journey (the anti-Manichean polemic, his political vision, the role of reason, and the theory of war) and their fortune in authors such as Thomas Aquinas, Nicole Oresme, Gregory of Rimini, and Robert Grosseteste.

Could a person ever transcend what it is like to be in the world as a human being? Could we ever know what it is like to be other creatures? Questions about the overcoming of a human perspective are not uncommon in the history of philosophy. In the last century, those very interrogatives were notably raised by American philosopher Thomas Nagel in the context of philosophy of mind. In his 1974 essay What is it Like to Be a Bat?, Nagel (...) offered reflections on human subjectivity and its constraints. Nagel’s insights were elaborated before the social diffusion of computers and could not anticipate the cultural impact of technological artefacts capable of materializing interactive simulated worlds as well as disclosing virtual alternatives to the “self.” In this sense, this article proposes an understanding of computers as epistemological and ontological instruments. The embracing of a phenomenological standpoint entails that philosophical issues are engaged and understood from a fundamentally practical perspective. In terms of philosophical praxis, or “applied philosophy,” I explored the relationship between human phenomenologies and digital mediation through the design and the development of experimental video games. For instance, I have conceptualized the first-person action-adventure video game Haerfest (Technically Finished 2009) as a digital re-formulation of the questions posed in Nagel’s famous essay. Experiencing a bat’s perceptual equipment in Haerfest practically corroborates Nagel’s conclusions: there is no way for humans to map, reproduce, or even experience the consciousness of an actual bat. Although unverifiable in its correspondence to that of bats, Haerfest still grants access to experiences and perceptions that, albeit still inescapably within the boundaries of human kinds of phenomenologies, were inaccessible to humans prior to the advent of computers. Phenomenological alterations and virtual experiences disclosed by interactive digital media cannot take place without a shift in human kinds of ontologies, a shift which this study recognizes as the fundamental ground for the development of a new humanism (I deem it necessary to specify that I am not utilizing the term “humanism” in its common connotation, that is to say the one that emerged from the encounter between the Roman civilization and the late Hellenistic culture. According to this conventional acceptation, humanism indicates the realization of the human essence through “scholarship and training in good conduct” (Heidegger 1998, p. 244). However, Heidegger observed that this understanding of humanism does not truly cater to the original essence of human beings, but rather “is determined with regard to an already established interpretation of nature, history, world, and […] beings as a whole.” (Heidegger 1998, p. 245) The German thinker found this way of embracing humanism reductive: a by-product of Western metaphysics. As Heidegger himself specified in his 1949 essay Letter on Humanism, his opposition to the traditional acceptation of the term humanism does not advocate for the “inhuman” or a return to the “barbaric” but stems instead from the belief that the humanism can only be properly understood and restored in culture as more original way of meditating and caring for humanity and understanding its relationship with Being.). Additionally, this study explicitly proposes and exemplifies the use of interactive digital technology as a medium for testing, developing and disseminating philosophical notions, problems and hypotheses in ways which are alternative to the traditional textual one. Presented as virtual experiences, philosophical concepts can be accessed without the filter of subjective imagination. In a persistent, interactive, simulated environment, I claim that the crafting and the mediation of thought takes a novel, projective (In Martin Heidegger’s 1927 Being and Time, the term “projectivity” indicates the way a Being opens to the world in terms of its possibilities of being (Heidegger 1962, pp. 184–185, BT 145). Inspired by Heidegger’s and Vilem Flusser’s work in the field of philosophy of technology as well as Helmuth Plessner’s anthropological position presented in his 1928 book Die Stufen des Organischen und der Mensch. Einleitung in die philosophische Anthropologie, this study understands the concept of projectivity as the innate openness of human beings to construct themselves and their world by means of technical artefacts. In this sense, this study proposes a fundamental understanding of technology as the materialization of mankind’s tendency to overcome its physical, perceptual and communicative limitations.) dimension which I propose to call “augmented ontology.”. (shrink)

En la obra que ahora presentamos al público hispanoparlante, reunimos diez trabajos previamente publicados en lengua italiana que abordan importantes cuestiones que ocupan en este momento a los estudiosos de la filosofía helenística y romana. Sus autores son diez de los más importantes especialistas italianos actuales en el estudio de este periodo histórico.

Both in historical debates and in recent discussions, the Guise of the Good Thesis represents a genuine dogma of rationalism in moral philosophy. Many influential commentators have maintained that Kant belongs in that camp, even that he “explicitly endorses” the Thesis. Attributing the Thesis to Kant, however, faces scarce textual support and amounts to a dubious understanding of the relationship of Kant’s moral philosophy to previous rationalist views. I suggest that, in Kant’s view, the Thesis only applies to the determination (...) of the will through the moral law. The principle that prior rationalists regarded as descriptive acquires in Kant’s terms a normative status. (shrink)

We show that logic has more to offer to ontologists than standard first order and modal operators. We first describe some operators of linear logic which we believe are particularly suitable for ontological modeling, and suggest how to interpret them within an ontological framework. After showing how they can coexist with those of classical logic, we analyze three notions of artifact from the literature to conclude that these linear operators allow for reducing the ontological commitment needed for their formalization, and (...) even simplify their logical formulation. (shrink)

This paper is the written version of my contribution to the International Conference «30 years Logica modernorum» held in Amsterdam in November 1997 in honor of the late prof. Lambertus M. de Rijk. Research on Oresme’s modi rerum theory was in the first stage, while now we can read the critical edition of Oresme’s Physics commentary, where modi are introduced and widely used. In this paper I shall consider Oresme’s polemical use of modi rerum, trying to set it in the (...) larger context of both his ontology and his epistemology. Oresme’s challenge to either a realist or terminist ontology by means of modi rerum conceals probably an attack to William of Ockham; Oresme refers explicitly to Ockham concerning exclusive propositions, but I think that on many other occasions the polemical target of Oresme’s criticism can be reasonably identified in William of Ockham or in some unnamed followers of the Venerabilis Inceptor. Some hints are reserved also to the possible sources of Oresme’s modi rerum. (shrink)

In this contribution we will present a generalization of de Finetti's betting game in which a gambler is allowed to buy and sell unknown events' betting odds from more than one bookmaker. In such a framework, the sole coherence of the books the gambler can play with is not sucient, as in the original de Finetti's frame, to bar the gambler from a sure-win opportunity. The notion of joint coherence which we will introduce in this paper characterizes those coherent books (...) on which sure- win is impossible. Our main results provide geometric characterizations of the space of all books which are jointly coherent with a xed one. As a consequence we will also show that joint coherence is decidable. (shrink)

In a cryptic passage of the "Doctrine of Virtue" (§ 23), Kant underscores the relation between the two kinds of ethical duties to others, which he calls duties of love and duties of respect. The paper will explore the issues concerning this relation, and try to clarify the meaning of it for Kant’s overall account of the duties towards others. I suggest that (1) Kant thereby highlights the role of a previously unconsidered class of duties, and highlights that that novelty (...) changes the traditional picture of other-regarding morality. (2) Most importantly, Kant shows that through their reciprocal connection both duties of love and duties of respect can be related to the obligatory end of the happiness of others. (shrink)

In examining Augustine’s contribution to the Christian doctrine of bellum iustum, this article sheds light on some extremely interesting pages, from which it is possible to reconstruct how Augustine conceived the relationship between the Christian religion and the Empire. Rejecting the accusations according to which the Christian religion would be an “enemy of the State,” he affirms instead that, if it were given the attention it deserves, it would give Rome “a foundation and a consecration” which it never knew during (...) its history. Moreover, Augustine’s considerations do not only concern the military sphere, but every aspect of civil life, recognizing Christianity as an element of maximum guarantee for the stability of institutions and of the entire society. (shrink)

Nicole Oresme cannot be counted among those late medieval philosophers who fostered a return to Augustine. Nevertheless, quotations from Augustine in Oresme’s works are not just tributes to one of the most outstanding thinkers. Indeed, in Oresme’s anti-astrological works Augustine’s De civitate Dei is one of the most relevant sources, while in his commentary on Aristotle’s Ethica (in its French translation) Oresme’s idea of freedom is largely inspired by Augustine.

In assuming his post of Professor of Philosophy at the University of Franeker, Ruardus Andala expounded in his Oratio inauguralis de physicae praestantia, utilitate et iucunditate (1701) his aim to replace Scholastic-Aristotelian philosophy with more recent philosophical and scientific theories as the rational foundation of theology. In this paper, Andala’s program is reconstructed by taking into account his later works, where he abandoned his former predilection for Jean Leclerc’s Physica (1696), replacing it with René Descartes’s Principia philosophiae (1644), complemented with (...) ideas inspired by the philosophia experimentalis of Francis Bacon and Robert Boyle. (shrink)

This article scrutinizes Michael Crichton’s movie Westworld (1973), its sequel Futureworld (1976), and the spin-off series Beyond Westworld (1980), as well as the critical literature that deals with them. I examine whether Crichton’s movie, its sequel, and the 1980s series contain and convey a consistent technophobic message according to the definition of “technophobia” advanced in Daniel Dinello’s 2005 monograph. I advance a proposal to develop further the concept of technophobia in order to offer a more satisfactory and unified interpretation of (...) the narratives at stake. I connect technophobia and what I call de-theologized, epistemic hubris: the conclusion is that fearing technology is philosophically meaningful if one realizes that the limitations of technology are the consequence of its creation and usage on behalf of epistemically limited humanity (or artificial minds). (shrink)

The authors describe the organization of a review of research literature on the relationship between Philosophy for/with Children (P4/wC) and religious education/education for spirituality (RE-EfS). They summarize a debate about whether the two are mutually enhancing or incompatible. They explain delimiting the scope of the project and present a grid of research questions used to analyze the literature. They summarize findings on how P4/wC is relevant to five categories of aims of RE-EfS: hermeneutical, cultural, socio-political, moral/spiritual, and epistemological. Many papers (...) in the latter category promote P4/wC as a method for children’s epistemic agency in constructing their religious beliefs. Some respond to objections that children may reject traditional beliefs. Few address potential confusion and angst of children asked to question and defend their religious views. The authors conclude that the pragmatic thrust of P4/wC in resisting a dichotomy between religious and scientific thinking is a value to post-secular society. (shrink)

Nella sua straordinaria opera scientifica, Franco Selleri si è sempre opposto alla rinuncia alla comprensione della struttura della realtà e della natura degli oggetti fisici, che egli considera come l’elemento caratterizzante delle principali teorie della fisica del Novecento e che è stata stigmatizzata da Karl Popper come tesi della “fine della strada in fisica”. Sin dalla fine degli anni ’60, egli ha sviluppato quella riflessione critica nei confronti delle teorie fondamentali della fisica moderna, in particolar modo della teoria delle particelle (...) elementari e della meccanica quantistica, e in un secondo tempo delle teorie relativistiche, che contraddistingue il suo programma di ricerca. Nel corso della sua intensa e infaticabile attività scientifica, Selleri è entrato in proficuo contatto con molti grandi fisici e filosofi della scienza, instaurando un intenso dialogo critico con Louis de Broglie, John Bell e Karl Popper. Le sue originali e non convenzionali ricerche lo hanno portato a risultati significativi non solo nell’ambito dei fondamenti della fisica, ma anche della storia e della filosofia della fisica. Per questo abbiamo voluto dedicare un numero speciale di Isonomia al nostro impareggiabile amico e collega, sia per la sua passione instancabile e la sua profonda conoscenza dei fondamenti formali, concettuali e filosofici delle teorie della fisica contemporanea, sia e forse ancor più come maestro di una prospettiva perennemente critica che egli ha sempre seguito e proposto con particolare rigore ed estrema determinazione. (shrink)

Fra il 1892 e il 1896, lo scienziato francese Pierre Duhem pubblicò, nella «Revue des questions scientifiques», sette articoli che, per la prima volta, fecero conoscere la sua concezione della scienza a un pubblico più vasto. L’accoglienza reticente, persino ostile, che è stata loro riservata lo indurrà, già in questo breve lasso di tempo, a fare evolvere la sua concezione. Otto anni dopo sarà pubblicata la sua famosa «Théorie physique : son objet, sa structure», in cui sono integrati molti di (...) questi testi. Offrendo per la prima volta l’edizione bilingue completa di questi sette articoli, il volume fornisce una migliore comprensione non solo dell’evoluzione del pensiero duhemiano, ma anche del contenuto del capolavoro di fama mondiale che ne sarebbe derivato. * * * Entre 1892 et 1896, le savant français Pierre Duhem fait paraître, dans la «Revue des questions scientifiques», sept articles qui, pour la première fois, font connaître sa conception de la science à un plus large public. L’accueil réticent, voire hostile, qui leur est réservé l’amènera, déjà au sein de ce court laps de temps, à faire évoluer sa conception. Huit ans plus tard paraîtra sa célèbre «Théorie physique : son objet, sa structure» dans laquelle plusieurs de ces textes se trouvent intégrés. En offrant pour la première fois l’édition bilingue intégrale de ces sept articles, ce volume permet donc de mieux comprendre non seulement l’évolution de la pensée duhémienne, mais encore le contenu du maître-ouvrage, mondialement connu, qui devait en résulter. (shrink)

Stefano Arduini es catedrático de Lingüística en la Universidad de Roma Link Campus, donde es Presidente del Departamento de Licenciatura en Artes, Música y Artes Escénicas y Prorector para la Tercera Misión. Ha enseñado Lingüística General y Teoría de la Traducción en la Universidad de Urbino; Lingüística en la Universidad de Estudios Internacionales de Roma y en la Universidad de Módena; y Literatura Comparada en la Universidad de Alicante y en la Universidad Autónoma de Madrid. Desde 2005 es profesor (...) honorario de la Universidad Nacional San Marcos de Lima (Perú). A su vez, es miembro del Nida Institute for Biblical Scholarship de Filadelfia, del Comité de Política de Traducción (COTP) de las Sociedades Bíblicas Unidas y del Sodalizio Glottologico Milanese. En 2012, a propuesta de la Junta Directiva, fue nombrado Miembro Honorario de la Asociación Latinoamericana de Retórica. Por otro lado, ha impartido cursos y seminarios en Bélgica, España, Estados Unidos, Francia, Gran Bretaña, Grecia, Holanda, Perú, Portugal, Rusia y Turquía, y es uno de los fundadores de la revista Translation. A Transdisciplnary Journal. Tiene en su haber más de un centenar de publicaciones, entre las que destacan: Prolegómenos a una teoría general de las figuras, Murcia University Press 2000; La Ragione retorica, Guaraldi 2004, Metaphors, Edizioni di Storia e Letteratura 2007; Manuale di traduzione, Carocci 2007; Paradoxes, Edizioni di Storia e Letteratura 2011; Con gli occhi dell’altro. Tradurre, Jaca Book 2020 (traducción al ruso 2021, traducción al inglés en curso); Traduzioni in cerca di un originale. La Bibbia e i suoi traduttori, Jaca Book 2021. Traductor de Juan de la Cruz, comenzó con Qohelet, la traducción de las Cinco Meguilot (Qohelet, Rut, Cantar de los Cantares, Lamentaciones, Ester). (shrink)

This work sheds light on the presence of Aristotelian elements in Augustine’s early works, which was more substantial than what it is usually believed. In fact, the young African rhetorician did not only know Aristotle’s Categoriae, which he read when he was a student in Carthage, but also other works by him, such as his De interpretatione, already translated into Latin at Augustine’s time, as well as Aristotelian-inspired works. That is the case of Themistius’s paraphrases of Aristotle’s Analytica and his (...) commentary on Aristotle’s Metaphysica, which Augustine knew well, especially with regard to book IV. Moreover, Augustine knew the De mundo by Apuleius, who perhaps was also the author of a Peri hermeneias, and who translated during the second century several Aristotelian-inspired works on various natural topics. Moreover, Augustine read the summaries of Plotinus’s Enneades, translated into Latin by Marius Victorinus, and Cicero’s Hortensius, which constitutes a commentary on Aristotle’s De interpretatione. (shrink)

By taking into account Epicurus’s extant texts and the most recent bibliography, this article aims at showing that he was not a convinced and stubborn atheist, as it was often believed during the Middle Ages. Rather, his idea of religion was vivid, positive and respectful of the traditional deities: to such an extent that Epicurus can be characterized as an ascetic and even mystical figure.

This essay sheds light, through a comparative study of the anti-Manichaean passages contained in Augustine’s Letters, on the significance for Augustine of the refutation of Manichaeism, which he had embraced in his youth. Augustine’s contrasting the Manichaean dualism in metaphysics, anthropology and ethics was his life-long project as a scholar, and lead him to expound in a clear and simple way his core beliefs in philosophy and religion.

BEN ALI (Souad) – STOFFEL (Jean-François), Présentation (pp. 5-6). STOFFEL (Jean-François), Introduction (pp. 7-13). BEN ALI (Souad), Aux origines de l’épistémologie historique: un retour à Pierre Duhem est-il justifiable ? (pp. 15-57). BORDONI (Stefano), De Cournot à Duhem: la naissance d’une tradition critique (pp. 59-93). FORTINO (Mirella), L’épistémologie de Duhem est-elle une ennemie de la rationalité ouverte ? (pp. 95-122). LEITE (Fábio Rodrigo), Quelques notes sur le prétendu réalisme struc­turel attribué à Pierre Duhem (pp. 123-164). ROUMENGOUS (Lucas), La continuité (...) de la physique à la métaphysique: un argument en faveur du néo-thomisme de Pierre Duhem ? (pp. 165-198). SEIDENGART (Jean), Duhem et les limites de son phénoménisme: la théorie physique peut-elle se contenter de sauver les phénomènes ? (pp. 199-219). STOFFEL (Jean-Fran­çois), Pierre Duhem et la revendication d’une tradition phéno­mé­naliste: à propos de son «Essai sur la notion de théorie physique de Platon à Galilée» (pp. 221-268). STOFFEL (Jean-François), L’«Histoire de la physique» de Pierre Duhem: contexte d’une publication singulière et historique de l’usage du terme «révolution» (pp. 271-300). BORDONI (Stefano), L’«Histoire de la physique» de Pierre Duhem: une histoire synthétique et tran­chante (pp. 301-310). DUHEM (Pierre), Histoire de la physique / manuscrit édité par Souad BEN ALI et Jean-François STOFFEL (pp. 311-406). Présentation des auteurs (pp. 407-409). Table des matières (pp. 411-412). (shrink)

Este artículo desarrolla el postulado teórico del italiano Stefano Arduini, denominado campo retórico, que se basa en la construcción discursiva de los referentes que sirvieron como contexto para influir directamente en la configuración de la obra de un escritor. Esos vínculos se rigen por la historia, la sociedad, las manifestaciones artísticas y literarias, junto con la intervención coetánea de otros autores con propósitos afines. En esta oportunidad, me enfoco en fundamentar los nexos que permitieron la publicación de La estación (...) violenta (1958) del Premio Nobel de Literatura Octavio Paz. (shrink)

El escritor peruano Rodolfo Hinostroza pertenece a la generación del sesenta, grupo literario que surgió en el Perú con la intención de proponer un estilo dinámico en la poesía. Para el análisis de este artículo, me baso en la propuesta de Stefano Arduini, quien articula la noción de campo retórico para hacer referencia a todo aquel contexto que posibilita la comprensión y el análisis literario a través de mecanismos referenciales, como la historia, las ideologías, la hermenéutica literaria, etc. La (...) finalidad de esta contextualización es la de identificar los patrones que influenciaron en la creación del escritor peruano en función de Consejero del lobo (1965). (shrink)

Este artículo tiene como objetivo confrontar la cosmovisión de Octavio Paz, desde la configuración ominosa que le atribuye al hombre y la sugerencia inferida por conllevar su tránsito óptimo de una suspensión o un truncamiento al dinamismo o la concretización de proyectos y utopías. Esa interpretación literaria se desarrolla de «Máscaras del alba» y «Repaso nocturno» de su poemario La estación violenta (1958). Para demostrar esa condensación autoral y comprender su intención, añado la epistemología de Stefano Arduini en función (...) de los campos figurativos que son de utilidad como sistema organizativo de los tropos y que se rigen de pensamientos metafórico, sinecdóquico, metonímico, elíptico, antitético y repetitivo, según cada caso. Esta taxonomía ha sido estudiada por el crítico Camilo Fernández Cozman, quien incorpora para un análisis más fructuoso la intervención de los interlocutores que participan en el discurso lírico. (shrink)

Tommaso Giannini (1556-1638) was a prominent professor at the Ferrara Studium between the sixteenth and the seventeenth century. Probably influenced by Platonic sympathies nurtured by the Court and partly by the University milieu, in 1587 he published his first work titled De providentia ad sententiam Platonis et Platonicorum liber unus, which was a catalyst for his academic career. His De providentia displays a large amount of sources always tacitly used: Marsilio Ficino, Jacques Charpentier, Giulio Serina, Stefano Tiepolo, Teofilo Zimara, (...) Bessarion, Agostino Steuco, Giovanni Pico della Mirandola and amid the ancients Plotinus, Plutarch, Sirianus, Proclus (read through Teofilo Zimara and Leonico Tomeo), Iamblichus, Apuleius, Calcidius, Ammonius, Psellus. Though a compilative work, the De providentia retains nonetheless a great importance insofar as it contributes to focus the bibliotheca platonica of the time, furthermore in the same years and place of Francesco Patrizi da Cherso’s teaching. (shrink)

Este artículo tiene como objetivo comprobar que en Trilce es inconcluso delimitar el campo retórico. Este concepto desarrollado por Stefano Arduini comprende la labor de establecer de forma organizada y perlocutiva el entorno y las influencias que propiciaron la creación del poemario. En ese sentido, ese trabajo es de utilidad para fijar los parámetros y el contexto que servirán para erigir la ideología o la poética de un determinado escritor, así como si se piensa realizar un análisis posterior de (...) cualquiera de sus textos. No obstante, se demostrará que esa taxonomía resulta insuficiente por el mismo lenguaje del autor. (shrink)

Este artículo tiene como propósito corroborar la cosmovisión de Octavio Paz, a partir de la inacción de la sociedad cotidiana, que es notoria en un fragmento del poema “Máscaras del alba” de La estación violenta (1958). Su crítica contra el sistema por la ausencia de compromiso social y político revela dos conceptos que fundamenta Mijaíl Bajtín en Estética de la creación verbal: su intencionalidad como autor y la expresión concomitante en función del género discursivo empleado. Para comprobar estas dos premisas, (...) incluiré como instrumento metodológico los campos figurativos o las provincias figurales que aborda Stefano Arduini, que comprenden los tropos de la metáfora, la metonimia, la sinécdoque, la metonimia, la elipsis, la antítesis y la repetición, además de sus variaciones. (shrink)

Para este estudio, he considerado el postulado teórico que fundamenta Stefano Arduini en torno a los campos figurativos, los cuales cumplen la función de apropiarse de las figuras retóricas existentes en un discurso poético, siempre y cuando estén orientados hacia una forma de pensar distinguida por la metáfora, la sinécdoque, la metonimia, la elipsis, la antítesis y la repetición. Una vez configurada esta propuesta, realizaré un análisis afín en “Al fatigado” y “La voz en la playa” del poemario Consejero (...) del lobo (1965) del escritor peruano Rodolfo Hinostroza, con el objetivo de percibir su cosmovisión y los elementos que conforman su arte creativo. (shrink)

The dominance of Augustine of Hippo in philosophy during the second quarter of the fourteenth century is testified to by three evidences: (1) the wide use of quotations from his works, (2) the flourishing of commentaries on them, especially at Oxford, as reconstructed by William J. Courtenay; (3) the historical-critical treatment of the writings of the Fathers, of the theological and philosophical auctoritates, and of contemporary Scholastic authors at Paris by the Augustinians, as reconstructed by Onorato Grassi. In this article, (...) I focus on the second kind of evidence, taking into account some commentaries on Augustine’s De civitate Dei, namely those of Nicholas Trevet and Thomas Waleys in the English area, and that Francis of Meyronnes in the French area. These commentaries became the basis for Raoul de Presles’s translation of Augustine’s work into Middle French. Moreover, I analyze books 1–5 of Raoul’s translation, showing that it was by no means accidental to his intellectual endeavors and that Raoul employed innovative, Humanist techniques of translation, and shedding light on the comparison of Charles V of France to Charlemagne in the rediscovery of the Augustinian corpus. (shrink)

L’usage de la raison et de la foy ou l’accord de la foy et de la raison (1704) by Pierre-Sylvain Régis can be considered his last attempt to defend the ‘new philosophy’ of René Descartes by vindicating its agreement with faith and protecting it from censorship. This contribution offers an analysis of the theories expounded by Régis in this treatise, showing how these evolved from those of his earlier Système de philosophie (1690), and arguing that both are characterized by a (...) reinterpretation of the Cartesian metaphysics on an empirical basis. In particular, Régis offered an empirical interpretation of the relations between substances, attributes and modes, by which he criticized Spinoza’s metaphysics and attempted to solve the riddle of Descartes’ dualism. (shrink)

The article argues for the variant ‘tractabimus’ in Book 8, ch. 1 of Augustine’s De Trinitate as opposed to the reading ‘tractavimus’ adopted in the Corpus Christianorum edition, and explains the implications of this variant for the understanding of the overall structure of the work.

Durante años, el estudio de la retórica ha incluido figuras que permiten el análisis de la poesía, como también, la creación diversificada según los múltiples estilos. Al respecto, en este artículo, se extraerá la propuesta fundamentada por Stefano Arduini, quien establece la noción de campo figurativo, como un ordenador de lineamientos subjetivos, propios del raciocinio, de la que se infieren seis subclasificaciones: la metáfora, la metonimia, la sinécdoque, la elipsis, la antítesis y la redundancia, además de los tropos internos (...) que las componen. Ante ello, se recurrirá a los planteamientos elaborados por los críticos y los teóricos de la Literatura para la confrontación hermenéutica que configuran estos conceptos difundidos por la poesía. Los autores a los que se recurrirán son Aristóteles con Retórica, Marco Fabio Quintiliano con Instituciones oratorias (1887), Pierre Fontanier con Les figures du discours (1977), George Lakoff y Mark Johnson con Metáforas de la vida cotidiana (1995), Jacques Lacan (1998), Stefano Arduini (2000), Oldřich Bĕlič (2000), Tomás Albaladejo (2008) y Camilo Rubén Fernández Cozman (2010). (shrink)

Tommaso Giannini was a prominent professor at the ferrarese Studium between sixteenth and seventeenth century. Probably influenced by Platonic sympathies nurtured by the Court and partly by the University milieu, in 1587 he published his first work titled De providentia ad sententiam Platonis et Platonicorum liber unus, which was a catalyst for his academic career. A compilative work in essence, the De providentia displays a large amount of sources always tacitly used: Marsilio Ficino, Jacques Charpentier, Giulio Serina, Stefano Tiepolo, (...) Teofilo Zimara, Bessarion, Agostino Steuco and amid the ancients Plotinus, Plutarcus, Sirianus, Proclus, Giamblicus, Apuleius, Calcidius, Ammonius, Psellus. A small place is reserved to Giovanni Pico della Mirandola and precisely to his Disputationes adversus astrologiam divinatricem. The aim of the paper is to provide a supplement of analysis of Giannini’s interest in Pico’s works considering his later writings, each one commonly identified as Disputationes Aristotelicae. (shrink)

LEITE (Fábio Rodrigo) – STOFFEL (Jean-François), Introduction (pp. 3-6). BARRA (Eduardo Salles de O.) – SANTOS (Ricardo Batista dos), Duhem’s analysis of Newtonian method and the logical priority of physics over metaphysics (pp. 7-19). BORDONI (Stefano), The French roots of Duhem’s early historiography and epistemology (pp. 20-35). CHIAPPIN (José R. N.) – LARANJEIRAS (Cássio Costa), Duhem’s critical analysis of mecha­ni­cism and his defense of a formal conception of theoretical phy­sics (pp. 36-53). GUEGUEN (Marie) – PSILLOS (Stathis), Anti-­scepticism and epistemic (...) humility in Pierre Duhem’s philosophy of science (pp. 54-72). LISTON (Michael), Duhem : images of science, historical continuity, and the first crisis in physics (pp. 73-84). MAIOCCHI (Roberto), Duhem in pre-war Italian philos­ophy : the reasons of an absence (pp. 85-92). HERNÁNDEZ MÁRQUEZ (Víctor Manuel), Was Pierre Duhem an «esprit de finesse» ? (pp. 93-107). NEEDHAM (Paul), Was Duhem justified in not distinguishing between physical and chemical atomism ? (pp. 108-111). OLGUIN (Roberto Estrada), «Bon sens» and «noûs» (pp. 112-126). OLIVEIRA (Amelia J.), Duhem’s legacy for the change in the historiography of science : An analysis based on Kuhn’s writings (pp. 127-139). PRÍNCIPE (João), Poincaré and Duhem : Resonances in their first epistemological reflec­tions (pp. 140-156). MONDRAGON (Damián Islas), Book review of «Pierre Duhem : entre física y metafísica» (pp. 157-159). STOFFEL (Jean-François), Book review of P. Duhem : «La théorie physique : son objet, sa structure» / edit. by S. Roux (pp. 160-162). STOFFEL (Jean-François), Book review of St. Bordoni : «When historiography met epistemology» (pp. 163-165). (shrink)